The unlikely partnership of Kit Lambert and Chris Stamp, the managers of the Who in their early days, is the subject of a new documentary. 'Lambert & Stamp' had its premiere at the Sundance Film Festival in Park City, Utah earlier this week.
We've all been disappointed by a late-period record by one of our favorite bands, and to one extent or another, we've all engaged in an endless debate over whether it's better to burn out or fade away. For Buzz Osborne of the Melvins, the answer is neither; creativity takes effort, and he expects great artists to keep trying.
It's long been trapped in development limbo, but it looks like a movie about the wild life and times of Who drummer Keith Moon might finally be heading for theaters -- with support and creative input from one of Moon's former bandmates, no less.
As everyone was trying to one-up each other in the later part of the '60s -- hoping to keep up with 'Sgt. Pepper's Lonely Hearts Club Band' and what it spawned -- Pete Townshend looked forward by looking back. While his contemporaries had psychedelic visions spiraling within their heads, the main songwriter and guitarist for the Who had something else in mind for his band.
Last week, Pete Townshend said that the Who would embark on one final tour in 2015. And apparently he means it this time. Sort of. Roger Daltrey recently clarified those plans, but confirmed that the group would indeed be performing its last batch of big shows in the near future.
The final album by the Who's original lineup was a product of its time. Released three years after its predecessor, 'The Who by Numbers' (which indeed sounded like the band on autopilot at times), 1978's 'Who Are You' had a lot to contend with, like punk rock, electronics insurgence and perhaps most importantly, a songwriter who seemed to be growing out of his band.
Following a four-month investigation, Who guitarist Pete Townshend was cleared of charges related to child pornography on May 7, 2003, after examination of his computers equipment proved there had been no downloaded images of child porn.
Like many of their contemporaries, the Who adapted to the constantly evolving '60s music scene by expanding their scope and sound. They just did it better than almost everyone else. They started off combining Pete Townshend's guitar-powered teen-angst anthems with covers of American soul songs, which they somehow managed to turn into guitar-powered teen-angst anthems...